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Mirjam de Baar University of Groningen. She specializes in early modern religious history and gender history, with particular focus on the Low Countries. Her major interests include autobiographical and religious writings of women, the performance of male and female prophets in the Dutch Republic, and the distribution of books, manuscripts, and letters within European networks of religious dissenters. Anna Maria van Schurman Kluwer, , Herinnering en identiteit in het vrijzinnig Protestantisme Verloren, , Religie en biografie.
De religieuze factor in de biografie Boom, and Honderd jaar vrouwen op de kansel, Verloren, Currently, she is editor of the interdisciplinary Dutch-Belgian journal De zeventiende eeuw and of the Dutch-Belgian academic periodical on religious history Trajecta. Religie, Cultuur en Samenleving in de Nederlanden.
She is currently working on a book-length comparative study of English and Dutch women writers of the seventeenth century. Her recent publications on emblem books and friendship poetry, which include discussions of the writings of Anna Roemers Visscher, Katharina Lescailje, and Cornelia van der Veer are part of this research. Manon van der Heijden Leiden University. Manon van der Heijden is a social historian working in the field of early modern urban history at Leiden University.
She worked at Erasmus University, Rotterdam, from to , and received her PhD from that institution in She held a position at the Vrije Universiteit of Amsterdam from until , when she was appointed Professor of History at Leiden. Danielle van den Heuvel University of Kent. She moved to the University of Kent in after holding postdoctoral research fellowships at Girton College and the Faculty of Economics at the University of Cambridge.
Her most recent work investigates street vending in early modern Europe.
Art history dissertation questions
She is very keen on interdisciplinary approaches to the topics she studies, and recently organized an interdisciplinary conference on food hawking to facilitate intellectual exchange across disciplines. A volume based on the papers given in the conference is currently in preparation.
Frima Fox Hofrichter Pratt Institute. She is a specialist in early modern art, and her writing and teaching are informed by issues of gender and class. She is the author of a monograph on the Dutch genre, portrait, and still-life artist Judith Leyster, as well as numerous articles in the field of Dutch art, especially the art of Haarlem and feminist analyses.
Professor Hofrichter has also organized and curated several Dutch exhibitions, contributed to exhibition catalogues and been a consultant to major auction houses.
Tine de Moor University of Utrecht. Her research projects on institutions for collective action a.
Professor Moffitt Peacock has also published on Bosch and Rembrandt, contributing to and editing two exhibition catalogs on the prints of Rembrandt and his circle at B. Andrea Pearson American University.
Among her research interests are gender and sexuality, portraiture, and devotional art and practices. John the Baptist produced in Antwerp in the first half of the 16th century. She is a contributor to The Ashgate Research Companion to Women and Gender in Early Modern Europe and to two forthcoming interdisciplinary volumes, one on Colette of Corbie, with Brill, and the other on women, art, and culture in fifteenth-century Europe, with Brepols.
Professor Pearson is the liaison for the Society for the Study of Early Modern Women to the College Art Association, for which she organizes a session at the annual conference.
She was also a recipient of a Distinguished Teaching Award for her work with undergraduate and graduate students at Bloomsburg University of Pennsylvania, where she was a faculty member from to Katlijne van der Stighelen University of Leuven. Katlijne van der Stighelen studied art history at the University of Leuven, where she received her PhD in In she was appointed Associate Professor at the University of Antwerp and at the University of Leuven, and in she was appointed Ordinarius Professor at the latter institution.
In addition she has published widely on many aspects of Flemish art and female artistry in the sixteenth and seventeenth centuries.
dr. D.W.A.G. (Danielle) van den Heuvel - University of Amsterdam
Together with Hans Vlieghe she is currently the editor of the series Pictura Nova. Studies in 16 th — and 17 th -Century Flemish Painting and Drawing Brepols , which has produced no less than eighteen monographs since Patricia Stoop holds a postdoctoral teaching position in Historical Dutch Literature in the Department of Literature at the University of Antwerp, where she is also a member of the Ruusbroec Institute for Research in the History of Spirituality. Her book, Schrijven in commissie: de zusters uit het Brusselse klooster Jericho en de preken van hun biechtvaders ca. As a postdoctoral fellow of the Research Foundation Flanders FWO she has studied female authorship and authority in late medieval and early modern vernacular sermons from the Low Countries — Stoop has taught on several topics in the field of medieval and early modern culture and literature, and her main areas of interest include women writers, female authorship, female participation in the intellectual, religious, cultural and literary field of the Middle Ages and Early Modern period, religious identity, and sermon studies.
Margit Thofner University of East Anglia. She was awarded a scholarship to the University of Sussex where she completed her PhD in Andrews and Bristol before taking up her current post. She has published a number of articles on the representation of women in the Southern Netherlands and, more broadly, on public ceremonial and religious artworks; her book A Common Art: Urban Ceremonial in Antwerp and Brussels during and after the Dutch Revolt appeared in Currently, Dr.
Eire , eds. Through the lens of the lives, aspirations, and struggles of ordinary nuns from three distinctive linguistic, spiritual, and cultural traditions, Defining Community reveals in broad terms how the community furnished the conditions for individual self-expression and how individuals shaped their own destiny by upholding collective values. By exploring the mutually reinforcing relationship between individuals and their community, her work integrates female monastic experience into a broader historical discussion of individual-community dynamics in early modern Europe.
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